A couple of recent photographs from the Middleburg Hunt’s Christmas parade and fox hunt caught the eye of two artists from either side of the Atlantic, and I was honored when they asked my permission to create paintings from my images. Since then, Ian Legge from the UK and Jeff Morrow from Cincinnati have produced absolutely beautiful, very different paintings. I asked them to share some thoughts about their paintings and the photographs that caught their eye.
12 x 24, oil on canvas
“I came across the source photograph of Maureen Conroy Britell, taken by Ed at a Middleburg Hunt meet, on the Countryside Alliance Facebook page where a number of Ed’s photos had been posted. Many of my paintings are based on dogs or horses and am always looking for inspiration. A number of photos from the set caught my eye but the one I chose just has a beautifully elegant poise to it. Ms. Conroy Britell looks regal, balanced and elegant and is caught in a lovely light. It was a shot that just popped out at me. Ed kindly allowed me to use the image (with approval from Ms. Conroy Britell too).
“When it came to painting it, it proved quite tricky. I used some old oil brushes here, where recently I have been using watercolour brushes — totally incorrect with oil paint, but there were practical reasons for this. This has led to a slightly more ‘impressionistic’ result than some of my other work. It was nearly erased completely at one point, but I slept on it and found a way through. Possibly the biggest challenge was the veil. The first attempt looked very poor – painted lines just didn’t seem to work. So that got scrubbed. After the paint drying, I re-glazed the surface and then re-worked it by applying skin tones and highlights as ‘blobs’ hopefully suggesting skin through a mesh. Not sure if the end result is the right solution but it’s a solution. Next time I tackle a veil, I may explore other options.
“A learning curve certainly but I think offers a potential for approaches for future work and, happily, both Ed and Maureen have been very kind in their responses to it. Very many thanks to Ed Felker and Maureen Conroy Britell.”
24 x 18, oil on canvas
“I never use other people’s photography as reference for my oil paintings, but a few weeks ago while perusing Facebook, I came across a photo [of Devon Zebrovious and Anne Sittmann] by Ed Felker. It caught my eye because of the arrangement of light and dark values that make an interesting abstract pattern. I also like the lighting and how the shadow is hiding the one woman’s eyes. That mysteriousness, along with the fact that the two women are in each other’s space makes the situation intriguing. I felt including the hands of the woman on the left would be distracting from the heads. In my painting it looks more confrontational than the photo indicates. Perhaps because in the photo it is evident that Anne, the lady with her back to us, is pulling down on her vest and not holding her hands on her hips.
“It was fun to paint the extreme lights and darks working against each other. It was a fun challenge to portray the hat on the right with few discernable edges – just melding into the background. Painting the veil over the woman’s…Devon’s…face was daunting because I was afraid if I messed it up I would end up repainting areas of her face. But I think I got the veil indicated just enough that it isn’t too heavily done, yet shows enough to read as a veil. Getting the satiny effect of the vest came slowly and with difficulty. On the other hand, the back of Anne’s head and her collar came easily and quickly. It “fell off the brush” as I like to say. Overall “The Conversation” was a joy to paint. It is being framed and is available at the Eisele Gallery in Cincinnati.”
Many thanks to Ian, Jeff, Devon, Anne and Maureen.
For more of Ian Legge’s work, click here.
For more of Jeff Morrow’s work, click here.
I had never been to the Great American Outdoor Show in Harrisburg, PA before, but will be going back every year. I posted some highlights on Instagram (@dispatches_potomac), but wanted to share them here as well. The show is still going on through February 14th, so there is still plenty of time to go!
Okay with the possible exception of the cold #yuengling this is the best money I spent today. This is how I hunt, not from a stand but on a ridge, behind a tree. This cheap and easy sling allows you to comfortably sit at a tree and rotate around to hide or take a shot. Simple. Clever. Sold. #greatamericanoutdoorshow #dispatchesfromGAOS #hunting #fishing #outdoors #deer
So the biggest disappointment was Browning. Literally the first thing I sought out was their booth to get a chance to handle their new Sweet Sixteen. None available, and the guy at the booth pointed to a wall of shotguns and said the one I was looking for was “pretty much the same as those.” Wow, really?
My favorite products:
The Sit/Drag. It’s like it’s designed exactly for me. And what I didn’t mention in my caption on Instagram is it also doubles as a drag harness to pull a deer out of the woods.
Vertical gun racks. A beautifully designed, simple product I am already using in my home.
Grandpa’s Country Catering. Rick Fetrow gave a demonstration about how to make venison bologna, and took a lot of the mystery out of the process for me. Looking forward to trying it myself this weekend. Nice man, generous with his time. I bought some products from him to get me started.
The other day, for the first time, I noticed grey hair around Winnie’s eyes. It’s not that I never imagined her old, on the contrary in many ways she has always seemed old. But Winnie has seemed more youthful and has played more in the last year with Baby P and Monkey than she probably has her whole life. Our vet, who has known her since she was eight weeks old, recently told me she was the absolute picture of health and fitness, and at a perfect weight. So while the years are starting to stack up (she’ll turn eight this summer), it’s not that I’m worried about her. I guess I just never really expected the age of her body to ever catch up to that of her soul.