A couple of recent photographs from the Middleburg Hunt’s Christmas parade and fox hunt caught the eye of two artists from either side of the Atlantic, and I was honored when they asked my permission to create paintings from my images. Since then, Ian Legge from the UK and Jeff Morrow from Cincinnati have produced absolutely beautiful, very different paintings. I asked them to share some thoughts about their paintings and the photographs that caught their eye.
12 x 24, oil on canvas
“I came across the source photograph of Maureen Conroy Britell, taken by Ed at a Middleburg Hunt meet, on the Countryside Alliance Facebook page where a number of Ed’s photos had been posted. Many of my paintings are based on dogs or horses and am always looking for inspiration. A number of photos from the set caught my eye but the one I chose just has a beautifully elegant poise to it. Ms. Conroy Britell looks regal, balanced and elegant and is caught in a lovely light. It was a shot that just popped out at me. Ed kindly allowed me to use the image (with approval from Ms. Conroy Britell too).
“When it came to painting it, it proved quite tricky. I used some old oil brushes here, where recently I have been using watercolour brushes — totally incorrect with oil paint, but there were practical reasons for this. This has led to a slightly more ‘impressionistic’ result than some of my other work. It was nearly erased completely at one point, but I slept on it and found a way through. Possibly the biggest challenge was the veil. The first attempt looked very poor – painted lines just didn’t seem to work. So that got scrubbed. After the paint drying, I re-glazed the surface and then re-worked it by applying skin tones and highlights as ‘blobs’ hopefully suggesting skin through a mesh. Not sure if the end result is the right solution but it’s a solution. Next time I tackle a veil, I may explore other options.
“A learning curve certainly but I think offers a potential for approaches for future work and, happily, both Ed and Maureen have been very kind in their responses to it. Very many thanks to Ed Felker and Maureen Conroy Britell.”
24 x 18, oil on canvas
“I never use other people’s photography as reference for my oil paintings, but a few weeks ago while perusing Facebook, I came across a photo [of Devon Zebrovious and Anne Sittmann] by Ed Felker. It caught my eye because of the arrangement of light and dark values that make an interesting abstract pattern. I also like the lighting and how the shadow is hiding the one woman’s eyes. That mysteriousness, along with the fact that the two women are in each other’s space makes the situation intriguing. I felt including the hands of the woman on the left would be distracting from the heads. In my painting it looks more confrontational than the photo indicates. Perhaps because in the photo it is evident that Anne, the lady with her back to us, is pulling down on her vest and not holding her hands on her hips.
“It was fun to paint the extreme lights and darks working against each other. It was a fun challenge to portray the hat on the right with few discernable edges – just melding into the background. Painting the veil over the woman’s…Devon’s…face was daunting because I was afraid if I messed it up I would end up repainting areas of her face. But I think I got the veil indicated just enough that it isn’t too heavily done, yet shows enough to read as a veil. Getting the satiny effect of the vest came slowly and with difficulty. On the other hand, the back of Anne’s head and her collar came easily and quickly. It “fell off the brush” as I like to say. Overall “The Conversation” was a joy to paint. It is being framed and is available at the Eisele Gallery in Cincinnati.”
Many thanks to Ian, Jeff, Devon, Anne and Maureen.
For more of Ian Legge’s work, click here.
For more of Jeff Morrow’s work, click here.
I enjoyed going through my photographs of 2015 and picking out my top twenty. The annual exercise serves as a reminder of special places, fascinating people and amazing wildlife encountered over the past twelve months. All but two of the photos this year were taken in Virginia. One of the exceptions is the first image, below, showing Patrick Fulkrod of the South Holston River Company releasing a brown trout into the cool waters of the Watauga River in Tennessee.
While I didn’t hand raise any Monarch butterflies this year, I watched dozens of these beauties go through their magical life cycles on my milkweed plants. I caught this female emerging from her chrysalis, and watched her with my camera as she unfolded wings of flame.
Dove hunting with friends has become a favorite new tradition each fall. And when the hunting is slow, as it was for me this year, you can always work on your still life photography. A well used Winchester Model 12, a fine Orvis case and the only dove of the day combined for, to me anyway, a calming blend of textures and colors.
This copperhead ventured a little too far out into the travel lane to soak up some early morning warmth stored in the asphalt. He is deceased. But it’s the first one I’ve gotten to see up close, so I felt compelled to photograph him.
Ed Clark of the Wildlife Center of Virginia released this red-tailed hawk after many, many months of rehabilitation. The bird, ill with severe lead poisoning, by all accounts should have died. But when Ed and his staff encounter an animal with an extraordinary will to survive, they join in the fight, and are committed to doing everything in their power to help.
At a birthday party for my friend, these kids jumped around under an amazing evening sky.
I saw more black bear in 2015 than in all other years combined. This youngster watched traffic go by along Skyline Drive in Shenandoah National Park.
The Washington, DC area was treated to a unique spectacle this summer as dozens of WWII era war planes gathered in formations and flew over the region in the Arsenal of Democracy Flyover. I have much closer shots of the planes, but I thought this image of a couple watching the distant plane had a vintage feel to it that suited the day.
Naturalist Brian Balik and I spent some early fall mornings cruising Skyline Drive in search of wildlife. But even when the animals aren’t cooperating, the scenery never disappoints.
While photographing the Middleburg Hunt before the Christmas parade, I was lucky to capture Devon Zebrovious making this elegant turn, resulting in one of my all time favorite portraits.
Speaking of models, my friend Joel Thompson of Montana Troutaholics is the most photogenic person I know. I loved this relaxed shot of him taking a break from brook trout fishing along the Rapidan River. That Pelican cooler has traveled all over Virginia this past year, which is particularly cool because I just learned that Pelican is actually a Virginia-based company.
I spent a lot of time looking for reptiles to photograph this year, but I spotted this beautiful northern water snake while trout fishing. Luckily I had my camera handy and captured this image in early morning dappled sunlight.
This five-lined skink, warm from the sun, moved very quickly. But I lucked out and got this cool shot of the beautiful critter.
This was a great year for turkey sightings where I live. These two composed themselves perfectly for a nice shot along our driveway. Carrying a camera in the truck almost every day has resulted in far more photographic opportunities this year.
On assignment covering the dedication of a home built for a combat wounded hometown hero, I quickly walked past this cool scene of waiting escorts and kept thinking about it. I was glad they were still there when I went back to photograph them.
Frog eggs, probably from a wood frog, sit just below the surface of a vernal pool.
Low light is the bane of my photography. But every now and then I capture an image I really like, and sometimes it only takes a couple hundred snaps of the shutter to get a keeper. Dominion Power lines create an interesting composition on this lightning shot.
Owl sightings are rare for me, so any time I see one is a special occasion. I spotted this Great Horned owl at nightfall and was thrilled to have my camera with me at the time. The light was obviously limiting, but every now and then a silhouette is just what a scene calls for.
I struggled shooting this sunflower field with photographer Martin Radigan, but love the mood of this one keeper from the evening. I look forward to trying this again next year.
I am thankful for everyone who takes the time to read this blog, and I hope you enjoy this collection of my favorite shots of the year. Let me know your favorite in the comments!